If you’re looking for a simple way to add a little jazz to your blues rhythm or lead, then you’ll love this lesson. In Fig. Each scale connotes something different. The Diminished Scale Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me.There are scales that I’ll never play and scales that I’ll probably never even hear. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). This means there is harmonic movement occuring around these chords. F#/Gb: F#, G, A, Bb, C, C#, D#, E, F# So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. Semi-notes: 1 - 2 - 1 - 2 - 1 - 2 - 1 - 2 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale … Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the “auxiliary diminished” scale or the “b9” scale, this is similar but not identical to the altered scale – note that the diminished dominant scale has a natural 13, not a b13, and it has the perfect 5th above the root – which is not the case with the altered scale): This puts it right in my A minor pentatonic position at the fifth fret. Check out next weeks Bass Practice Diary 30 if you want to look more at some of the diminished blues licks I’m playing here. Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. Properties In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. Draw it up on a piece of paper so you get an overview. Well, there are really *two* types of diminished scales, whole-half diminished and half-whole diminished. So when we got to the fifth bar we have F7 to F sharp diminished. Along with the wide intervals in the Diminished triad these notes will give you a very special sound. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). Watch the Take 5: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues Hi, I'm Jeff McErlain and welcome to Take 5: Diminished Blues. The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. So when we got to the fifth bar we have F7 to F sharp diminished. The scale that you need to use in a context not the diminished scale. You will be brought to Paypal. The Solution below shows the E blues scale, on the piano, treble clef and bass clef.. Dominant Diminished Blues Lick. This scale is primarily used in jazz music and works well together with alternate seventh chords. Check out his classic tune, "Techno" from his "Still Warm" CD. That b3/#9 going to a major 3rd sound is already part of blues vocabulary. The scale that you need to use in a context not the diminished scale. It can also be used for fusion and heavy metal. Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. This scale is used to solo over diminished seventh chords. Purchase the worksheet of the video [PDF - 5.00 $], Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. Description. Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. Be careful and always control by ear when you use diminished scale or whole tone scales because they … This is difficult to remember. Robben was introduced to the sound of the diminished scale through working with Miles Davis, who's music uses the harmony quite a bit. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. or download example audio. The sound of the Diminished triad is in itself very wacky to listen to. That could be a lesson all on its own! Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. E: E, F, G, G#, A#, B, C#, D, E Since there is a VI7b9 chord in bar 8 of a jazz blues (D7b9 in the key of F), you can use the D7b9 dominant diminished scale to outline this chord in … the “auxiliary diminished dominant” or even the “auxiliary diminished blues” (not to be confused with the Mixo-Dorian blues scale for soloing over the blues). Try playing an E-blues scale and see how the E-diminished triad fits over that scale. This is largely because dominant 7th chords are chords of transition. There are scales that I’ll never play and scales that I’ll probably never even hear. But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. A#/Bb: A#, B, C#, D, E, F, G, Bb, A# It is this ‘blues’ note that gives the scale its unique ‘bluesy’ tone. The Diminished Scale is built upon two diminished seventh chords. The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. Live performances, Please join my YouTube channel Aimee Nolte Music with hundreds of videos! “Diminished licks in blues progressions are, seriously, one of the coolest things you can whip out when you are taking a blues solo,” Tyler says. See also the Diminished Scale. This course is near and dear to my heart, as the diminish scale looms large in my playing. Dominant Diminished Scales overview John Scofield is a master of this technique. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with. Copyright © 2012-2020 pianoscales.org. Thanks. Sometimes you just have to wait few minutes to download the file. Watch the Level 3: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues As a guitar player, we can't discuss the diminished scale and the blues without talking about Robben Ford. Diminished scales naturally fit very well when played over diminished chords with the same note name (e.g. Blues Diminished scale Common Something seems out of place. I’ll show you how to use a diminished arpeggio and chord over the 4 chord in a 12 bar blues. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale typically used over dominant 7th chords. The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. The Diminished Scale for Guitar. or download example audio. Next step: to get the typical Blues sound, we add a special note: the “Blue note” (which is usually a diminished fifth, see basics). In Fig. Of course you can play the diminished (half-whole) over every dominant-seventh chord, but if you do this in a simple blues progression, you will stop sounding bluesy. The 1st construction, using the major scale, starts at Lesson 3.. Diminished Scales. This is unique to each person. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. When you consider its exotic sound, the mystery grows. Improvise and compose solo's up to the entire neck with more than+300 Blues backing tracks. However, there are more definitions of the Blue note, I use the most common definition. Diminished scales can be used over diminished chords if you start with a whole step (the whole-half diminished scale) instead of with a half-step. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). Most jazz standard progressions, where we find the diminished chords, are tonal. Please click the button below to refresh this page to see the new sales! The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. After the payment click the button on Paypal that will bring you back to the seller's site (don't press the back-button on the browser). Diminished Scale Theory. C#/Db: C#, D, E, F, G, G#, Bb, B, C# Nov 27, 2017 #6 Robben Ford's usage is "jazz", not "blues". How to use a Diminished Scale and Chord in a 12 Bar Blues – EP170. 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